Douglas McCausland is a composer / performer, sound designer, and digital artist whose visceral and often chaotic works explore the extremes of sound, technology, and the digital medium.

 

As an artist, he researches and leverages the intersections of numerous technologies and creative practices, such as real-time electronic music performance with purpose-built interfaces, spatial audio, interactive systems, intermedia art, musical applications of machine-learning, experimental sound design, and hardware-hacking.

 

Described as “Tremendously powerful, dark, and sometimes terrifying...” (SEAMUS) and “Ruthlessly visceral...” (The Wire), his works have been performed internationally, including features at Sonorities, Gray Area, SEAMUS, the San Francisco Tape Music Festival, and Ars Electronica. Recent collaborations include artists such as bassist Aleksander Gabryś, cellist Seth Parker Woods, the Quasar Saxophone Quartet, the TAK Ensemble, and vocal ensemble Variant 6. Douglas is the founder of ex_log.records, through which his work is released; with additional work featured on New Focus Recordings, Plyta Z Audiomatu, and Jikken Records.

 

Notable honors include an award of distinction in the 2021 Prix Ars Electronica for his piece “Convergence”, winning 1st-Prize in the 2021 ASCAP/SEAMUS commission competition, the gold- prize award for “contemporary computer music” in the Verband Deutscher Tonmeister 3D Audio Production Competition, and being awarded the runner-up nomination for the International Confederation of Electroacoustic Music's 2019 CIME Prix.

 

Douglas is currently the Technology and Applied Composition (TAC) Studio Manager at the San Francisco Conservatory of Music.  Further, he is also a faculty lecturer at Stanford University's Center for Computer Research in Music and Acoustics (CCRMA). Douglas holds a DMA in music composition from Stanford University, where he studied with Chris Chafe, Patricia Alessandrini, Jaroslaw Kapuscinski, Fernando Lopez- Lezcano, and Mark Applebaum.